Kim Joon

Born in Seoul in 1966, Kim Joon still lives and work in hometown.

He first investigated tattoo as a subject matter in the mid-1990s with three-dimensional sculpture before making use of off-beat techniques such as the 3D Studio Max software. "I see skin, or in some cases the monitor, as an extension of a canvas", says Kim. While still a cultural and legal taboo in Korea, tattoos are for him a way to externalize subconsciousness. They show in broad daylight the hidden desires globally induced in our collective ideologies by materialistic societies. According to Kim, consumerism has turned humans into generic beings of desire; we covet things so much, they almost permeate ourselves.

Having established a growing presence in the international art scene, Kim Joon has exhibited worldwide, from Beijing to Los Angeles. The highly successful Saatchi Gallery's Korean Eye show confirmed him as one of the most important Korean living artists to date. His work has since then been auctioned at Sotheby’s for almost twice its estimated price and his name was listed in the top ten most-searched Asian contemporary artists on the internet by Art Radar in 2012.

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Blue Jean Blues (Akira)

Kim Joon

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Blue Jean Blues (Rebel Without a Cause)

Kim Joon

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Blue Jean Blues (Saturday Night Fever)

Kim Joon

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Fragile (Royal Copenhagen)

Kim Joon

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Golden Hour (Jesus)

Kim Joon

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Fragile (Gone with the Wind)

Kim Joon

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Adam & Eve (Fragile)

Kim Joon

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Drunken (Moët Chandon)

Kim Joon

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Drunken (Johnnie Walker)

Kim Joon

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Drunken (Ballantine)

Kim Joon

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Drunken (Romanee Conti)

Kim Joon

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Cradle Song (Mont Blanc)

Kim Joon

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Glove (Cloud)

Kim Joon

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Ebony (Pink)

Kim Joon

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Lee, Sang Bong

Kim Joon

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Ferragamo (Cradle Song)

Kim Joon

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